A Life of Travel

As 2017 comes to an end, I find myself reflecting on all that occurred with my photography this year including exploring New Zealand, Australia, and sending my first two photo books to print. For those of you interested in seeing some of my New Zealand and Australia work, check out my post from March 2017

I’ve previously written about A Life in Paris, but I spent part of this year revisiting the book and refining some of the edits, layout and quotes which resulted in a reprint. In addition to reprinting A Life in Paris, I completed my second book A Life of Travel which documents the past five years of international travel including select photographs and writing from San Miguel de Allende, Tokyo, Kyoto, Beijing, Nice, Paris, Cape Town, Kruger National Park, Wanaka, Sydney, and Queenstown

Both of these books required an incredible amount of time and effort but I’m very happy with the final work and it was a pleasure revisiting all of the moments through my photographs and journal entries. I’ve included both cover photos as well as a preview from each book.

All photographs were created with either the Hasselblad 500CM and the Carl Zeiss PlanarT* f/2.8 on Kodak Portra 400 or the Sony A7R Mark ii, Sony Sonnar T* FE 55mm f/1.8 ZA, Sony T* FE 35mm f/28, Sony Vario-Tessar T* FE 16-35mm f/4.0 ZA OOS and Zeiss Batis 25mm f/2.0.   

A Life of Travel  Cover

A Life of Travel Cover

A Life of Travel  Sample

A Life of Travel Sample

A Life in Paris  Cover

A Life in Paris Cover

A Life in Paris  Sample

A Life in Paris Sample

South Africa on Film

Sam and I spent the last few weeks exploring South Africa and escaping the winter weather in Chicago. South Africa was the first large trip with the Hasselblad 500CM and it did not disappoint. While a majority of the photographs created on our trip were with the Sony A7 Mark ii, I wanted to take a moment to post some of my select photographs from the Hasselblad before writing a more in-depth post covering South Africa as a whole. 

Throughout our trip, I carried both the Sony A7 Mark ii and the Hasselblad in an Ona Bowery and I found myself reaching for the Hasselblad more and more. Shooting with a Hasselblad feels like the ultimate user experience when it comes to creating photographs and I find myself becoming more and more invested in film. I've talked about this at length before, however the experience of shooting with this camera coupled with the colors and depth of the scans are forcing me to consider if digital should take a back seat to my film cameras - especially with a Leica M6 and Summicron-M 50mm f/2 on the way. The Leica will hopefully resolve some of the issues with the Hasselblad, specifically when wanting to shoot outside of a 1:1 ratio and being able to bring the camera up to my eye rather than composing at waist level. In addition to the experience, colors and depth - film, including the shots below, are nearly straight out of the camera requiring very little time sitting at a computer. While the Sony A7 Mark ii creates stunning end results, it requires a bit more time reviewing and making minor adjustments to such large RAW files.

Needless to say, South Africa was an amazing experience with gorgeous views making it a trip for any photography enthusiast. I've just started to review and write a post covering our adventures, but with the amazing turn around time at Richard Photo Lab, I had to take a moment to share some of South Africa on film.

All photographs were created with the Hasselblad 500CM and the Carl Zeiss 80mm Planar T* f/2.8 on Kodak Portra 400. All images were scanned and processed by Richard Photo Lab in California.