Winter Is Coming

With Fall in full swing, I've started to shift from constantly shooting to reviewing, refining and reflecting on where I am with my photography work. While Fall is still one of my favorite times of year, Winter requires a bit of preparation - especially those months where there's not much to do other than trying to stay warm. I've grown to enjoy winter because it allows me to focus on aspects of photography that don't necessarily require a camera but are equally as important.

Since returning from Paris a year ago, I've continued the overall goal of refining my vision by exploring 135 and 120 film formats as well as printing my work in various formats with the help of Richard Photo Lab. These areas of focus have resulted in significant growth with regard to creative exposure, understanding the nuances between digital and film photography, and understanding the complexities of fine art prints. In addition to learning a great deal, I've finally reached a point where I'm sending portfolio pieces to print as large format fine art prints. The image below is a rough contact sheet of my original selects and final decisions.

Looking ahead, Sam and I will be traveling to Australia and New Zealand in February. That said, one of my goals this winter will be to learn more about the creative process behind Astrophotography (with the help of Ian Norman over at Lonely Speck) given that we'll be spending a majority of our trip exploring the Southern Island. In addition to Astrophotography, I plan on learning more about the technical aspects of digital camera sensors. More specifically - after shooting 135 and 120 film and achieving stunning results out of the camera, I'm interested in better understanding why digital photography images are initially flat out of the camera and how I might be able to achieve more film-like color profiles when shooting digital. 

All photographs were created with the Sony A7 Mark ii and Sony Sonnar T* FE 55mm f/1.8ZA, the Leica M6 and Leica Summicron-M 50mm f/2, and the Hasselblad 500CM and the Carl Zeiss Planar T* f/2.8 on Kodak Portra 400. All images were scanned and processed by Richard Photo Lab in California.

Life in Paris: A Personal Project

Sam and I temporarily relocated to Paris late last year. During that time, I decided to take a sabbatical and focus on photography and exploring the city. Needless to say, it was one of the better decisions in my life. I spent every waking moment with a camera in my hand which resulted in a feeling of peak creativity, a better understanding of how my photography is evolving as well as some of my strongest photographs to date.

When we returned to the States, I spent several months and countless hours reviewing and selecting photographs and journal entries in order to create a coffee table book titled A Life in Paris highlighting my Parisian observations and experiences. I sent the first copy off to print while we were in Africa last month and I received a copy a few days ago. The quality and final product completely blew me away and the more I print my photographs, the more I realize that it's part of the creative process - especially in a world of pure digital photography where photographs end up on a web portfolio and the RAW negatives die on some hard drive.

Below are a few photographs of the final product and A Life in Paris will not only be an incredible reminder of the time we spent living in Pairs but a reminder of how important it is to shoot personal work and explore larger passion projects. For select photographs from the book, please reference my previous Paris posts.

All photographs were created with the Sony A7 Mark ii, Sony Sonnar T* FE 55mm f/1.8 ZA, Sony Sonnar T* FE 35mm f/2.8 ZA, and Sony Vario-Tessar T* FE 16-35mm f/4.0 ZA OOS.