NYC 2018 Workshop

It’s been some time since I last sat down to write about photography. Since then, Sam and I have traveled to London, Paris, and most recently Brooklyn where I met up with Johnny and Rebecca Patience for their NYC 2018 workshop at the Bushwick Community Darkroom. As for London and Paris, more to come once I’ve finished my selections and edits.

Johnny’s NYC workshop was centered around the goals of better understanding black and white film photography - more specifically, the relationship between exposures and density of negatives along with the importance of your workflow and approach in the darkroom. 

We spent the first day discussing your approach, philosophies behind metering, and spending some time taking photos throughout Bushwick. The second day was spent entirely in the darkroom where we reviewed our negatives, made selections, experimented with the enlarger, ran test strips, and finally narrowed in on our development times for our desired look and feel.

Having shot film for nearly four years now, it’s embarrassing to write that this was the first time I’ve stepped foot in a darkroom. I’ve always collaborated with Richard Photo Lab when it came to my film work including development, scanning, and fine art prints. And, while it sounds cliché, there really is a different feeling when developing your own work. It’s an art in and of itself and left me feeling both incredibly humbled yet inspired.

Needless to say, you can only begin to scratch the surface in a two day workshop, however I left New York City with a new appreciation for both B&W photography and the darkroom. And, the role that it can play in shaping my approach and my work.

All photographs were created with a Leica M6 and the Leica Summicron-M 50mm f/2 on Kodak Tri-X 400.

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ONA Bags: Photographer Profile Feature

While traveling throughout Australia and New Zealand last month, ONA Bags released a Photographer Profile feature that we had been collaborating on the previous few weeks. It was a pretty humbling experience to be interviewed by a company I've admired since picking up a camera, especially when considering some of the photographers and artists they've collaborated with in the past.

All of this began when I met some of the ONA team this past September in Brooklyn during Johnny and Rebecca Patience's NYCWLK. They noticed that Sam and I both were using ONA Bags that day during the photowalk and we ended up talking cameras, bags and eventually sharing some of my work. Since meeting in Brooklyn, we've kept in touch and decided to collaborate on a Photographer Profile interview for their blog. In addition to our collaboration, they sent me their brand new product, The Bond Street, which is a perfect complement to my Union Street and Bowery. You can read a few excerpts below or the full Photographer Profile interview on their blog.

We’re excited to debut a new format for our community profiles, comprised of nineteen questions that almost every creative individual can answer, along with a “lightning round” of less serious questions at the end. Our first subject is Johnny Schroepfer, who we met along with his wife Sam at a photo walk last September. Share your photos by tagging #ONAbags to be featured.

Name: Johnny Schroepfer

Hometown: I grew up in Dallas, Texas before moving to Chicago, Illinois

Describe your aesthetic in five words or less: Travel, Authentic, Clean, Candid, Bright

Go-to gear: Recently, I’ve been shooting a lot with the Sony a7R Mark iiSony Sonnar T* FE 55mm f1/.8, and the ONA Leather Bowery.

Favorite place to photograph: San Miguel de Allende, Mexico

Biggest creative influence: Robert Frank

Thing you can’t live without: Hasselblad 500CM with a Carl Zeiss Planar T* 80mm f/2.8 that was a gift from my wife, Sam.

What motivates you: Exploring new places and cultures, documenting small moments in our daily lives, creating a body of work that reflects the experiences I’ve had throughout my life.

Time of day are you most creative: Early Morning

Biggest challenge: Avoiding hibernation mode and forcing myself to shoot more during the brutal Chicago winters.

One piece of advice that stuck with you: I think making photos all time time, even when you don’t feel like it, is critical to developing one’s creative vision and growing as an artist. Its those times when you don’t feel like shooting that are arguably the most important.

Mistake you’ve learned from: Believing that post processing can offset creative vision.

Work you are most proud of: My most recent project, A Life in Paris, which is a book that highlights a selection of my favorite photographs made while living in Paris, France in 2015.

Most used phrase: “Can you come look at this?” whether it’s asking my wife, Sam, about final edits I’m sending to print or coworkers about a design problem I’m working on.

Earliest memory: Playing in my backyard with my older brother

Hidden talent: I’m incredibly passionate about music and can play several instruments.

Dream project: Collaborating with a non-profit that I’m passionate about and actively involved with like charity: water or the National Resources Defence Council (NRDC). I’d love to travel back to Africa, but this time on a photography assignment to help raise awareness about clean and safe drinking water in developing nations.

Most recent “a-ha” moment: Committing to learning the art of printing your work. Whether you shoot film, digital, or both, I believe that you’re significantly limiting yourself as an artist if you don’t take the time to print your work. I’ve been working with Richard Photo Lab in California for a little over a year now and this collaboration has helped strengthen my relationship and love for the art of photography. And, it has helped me grow as an artist in how I approach both digital and film photography.

Goal for 2017: Publish a book containing a selection of my favorite photographs made while traveling the world with my wife, Sam, these past few years. We’ve traveled from North America to Europe, to Asia, and Africa. We’ll be visiting New Zealand, Australia, Portugal and Spain this year and my goal once we return from our travels is to review the tens of thousands of photographs that have been made throughout the past few years and create something of meaning to share with our close friends, family and maybe even some of you.

Lightning round: 

Sweet or savory: Savory

Childhood celebrity crush: Natalie Portman

Cats or dogs: Dogs

Favorite album: Yankee Hotel Foxtrot by Wilco

Favorite book: Anything by Neal Stephenson

Biggest fear: Flying

NYCWLK 2.0

After our trip to Avalon, Sam and I took the train from Philly to New York for the second annual NYCWLK in Brooklyn with Johnny Patience and his wife, Rebecca. It was an amazing experience and I’m truly grateful I had the opportunity to meet, learn from and shoot alongside someone I find incredibly inspiring in one of the best street photography cities in the world.

In addition to meeting Johnny and Rebecca, Sam and I had the opportunity to meet other film, digital and hybrid photographers from around the world. This truly was a special weekend for me given my decision to pick film back up last year. And, aside from the creative refinements I was looking for, Johnny was a big motivating factor to making the addition of film to my workflow.

It had been awhile since I was last in New York and I found myself amazed with how large the city is and how little one could actually know about a city they’ve visited numerous times throughout their life. The NYCWLK also happened to be during the September 11th fifteen year anniversary weekend and it was a weird mix of emotion, both for myself and the city. I’ve never experienced such a quiet and somber weekend in New York.

All photographs were created with either the Hasselblad 500CM and the Carl Zeiss Planar T* f/2.8 or the Leica M6 and the Leica Summicron-M 50mm f/2 on Kodak Portra 400 or Kodak Tri-X 400. All images were scanned and processed by Richard Photo Lab in California.