It’s been a while since I sat down to write about my photography, but what I’ve lacked in writing, I’ve certainly made up for with photographs. This year I’ve been focusing on growth, specifically the imperfection and failure of my photography by pursuing a 365 project. I’ve been forcing myself to shoot daily with my Fuji X100F and my Leica M6, but I’ll share more about that project later this year.
Since starting a 365 project, Sam and I continued our winter tradition of traveling to a warm climate. We spent a little over a week this past winter taking a road trip through the desert. We started in Phoenix where we caught a few Chicago Cubs and Texas Rangers Spring Training baseball games before taking a few days to drive through Antelope Canyon, the Grand Canyon, and Joshua Tree National Park. After Joshua Tree, we arrived in Palm Springs for a few days where we enjoyed a beautiful bed and breakfast before driving to Los Angeles to visit my little brother, Michael, and enjoy some of his favorite food spots.
The light and color palette throughout Arizona and California was incredible. Many photographers speak about the light in Southern California and this was the first time I had visited long enough to truly take advantage of it. Each morning was filled with soft and subtle pinks, oranges, and yellows which complement my preference for color film, especially Kodak Portra 400. Mid-day was often filled with an overwhelming amount of white light that forced us to be a bit more creative when it came to medium format exposures. Even modern-day sensors and shutter speeds up to 1/4000 needed to be stopped down. Sunsets and even dusk brought beautiful and deep reds, purples, and blues. Overall, it was a significant shift from having to shoot in the cloudy winter months of the Midwest.
While we enjoyed our time on the road in the US, the hours behind the wheel gave me plenty of time to reflect on many things including how much we’ve missed international travel, and the need for us to get back at it.
Up next, London and Paris. What's next for you?
All photographs were created with either the Hasselblad 500CM and the Carl Zeiss Planar T* f/2.8 on Kodak Portra 400 or the Fuji X100F and the Fujinon 23mm f/2.