Having fallen in love with Kodak Portra 400 on both 135 and 120 formats, I've been consistently searching for a digital equivalent to the look and feel of film. Throughout this search, I have  learned that digital sensors, aside for their amazing technological advances, have still failed to render film-like color profiles.

52 Weeks is a conceptual project that documents my continued color explorations with a single photograph a week for one year. From camera sensor research to film emulations and digital presets, I'll use this project to document both successes and failures in the search for my ideal digital color profile.